As an artist I make my marks and stains on the alley walls between the ancient, the contemporary and the eternal never. My narrative compositions in watercolor ride on the back of ancient fertility myths -- myths that still speak to us about metamorphosis, about change, about being two things at once. I paint Chimeras, beautiful, hybrid monsters strutting proud and naked in a utopia of sexual bliss and anguished longing. In such a Dionysian utopia, the sacred rites of satire are obligatory, operatic absurdity inevitable.
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